FLC Department of English
Expanded Course
Descriptions
|
Course No. |
CRN# Credits |
Course Description |
|
Time
|
Days
|
Instructor |
|||||||||||
|
|
|||||||||||||||||
|
116 A1 or T |
4.0 |
Introduction to Mass
Communications |
|
8:15-9:25 |
MWF |
Chris
Goold |
|||||||||||
|
This
is an introductory survey of mass communication and its many forms and
effects in our lives. During the term
we will examine, analyze, think critically about, enjoy, and discuss the
various mass media we participate in every day: sound recordings, films, TV,
books, newspapers, magazines, radio, advertising, videogames, public
relations and the Internet. We will also look at different aspects of
mass communication history and issues, and we will work together to develop
media literacy skills that will help us all become more knowledgeable media
participants. Be prepared for lots
of in-class writing, quizzes and activities, group work, written projects and
critical thinking about the media we are immersed in every day. |
|||||||||||||||||
|
116 A1 or T |
4.0 |
Introduction to Mass
Communications |
|
10:55-12:05 |
MWF |
Ken
Wright |
|||||||||||
|
In this class, we will develop
and apply creative frameworks to better understand the shape and use – both
culturally and individually – of a variety of contemporary mass media. |
|||||||||||||||||
|
|
|
|
|
|
|
|
|||||||||||
|
174 |
4.0 |
African-American Literature |
|
10:55-12:05 |
MWF |
Nancy Cardona |
|||||||||||
|
This
course examines the development and tradition of African American literature
beginning with oral traditions of the slave spiritual. Over the course of the
term, we will explore how differing understandings of what constitutes
African American literature influence the various literary movements in
the African American canon. |
|||||||||||||||||
|
|
|||||||||||||||||
|
175 |
4.0 |
Women’s Literature |
|
2:30-4:30 |
TR |
Chris
Goold |
|||||||||||
|
This
course will introduce students to the study of literature by and about
women. We will be reading selections
written by women living primarily in England and the United States, from the
Middle Ages through the 20th Century; our discussions and writing
will focus on the many ways women express their voices as thinkers, poets,
adventurers, essayists, lovers, mothers, novelists, workers, friends, and
individuals trying to define their lives.
Be prepared for lots of reading discussions, in-lass quizzes and
activities, and writing, both formal and informal. |
|||||||||||||||||
|
|
|
|
|
|
|
|
|||||||||||
|
177 |
4.0 |
US Latina/o Literature |
|
2:30-4:30 |
TR |
Nancy Cardona |
|||||||||||
|
If all you know about Latinas/os in the U.S. are Ricky Martin,
Christina Aguilera, and Enrique Iglesias but want to know more, this is the
class for you. We will examine the literatures and cultural production of the
three major Latina/o groups in the U.S.: Cubans, Puerto Ricans, and Mexicans.
Taking cultural and historical contexts into consideration, we will explore
how these writers talk about language, gender, citizen/immigrant status, and
homeland. Students will be expected to produce a longer analysis paper as
well as two take home essay exams. Lots of reading and class participation
are expected for this class. |
|||||||||||||||||
|
|
|
|
|
|
|
|
|||||||||||
|
180 |
4.0 |
Literature of the
Environment |
|
1:55-3:05 |
MWF |
MJ
Moseley |
|||||||||||
|
Nature writing addresses
an area where science, culture, art and perception join and our views of environment
encompass many perspectives. Some of
the finest writing has concentrated on environmental themes and we will
examine some of that literature.
Writers from across the country will be explored, including a
selection of writings from the Southwest with an emphasis on Native American
writers. |
|||||||||||||||||
|
|
|
|
|
|
|
|
|||||||||||
|
215 |
4.0 |
News Media Writing |
|
1:55-3:05 |
MWF |
Faron
Scott |
|||||||||||
|
This
course will introduce you to the skills of news reporting and writing. Through writing a series of news stories
during the semester, you will have the opportunity to learn news writing
style, interviewing skills, and news judgment. |
|||||||||||||||||
|
|
|
|
|
|
|
|
|||||||||||
|
215 |
4.0 |
News Media Writing |
|
8:00-10:00 |
TR |
Leslie Blood |
|||||||||||
|
This
course will introduce you to the skills of news reporting and writing. Through writing a series of news stories
during the semester, you will have the opportunity to learn news writing
style, interviewing skills, and news judgment. |
|||||||||||||||||
|
|
|
|
|
|
|
|
|||||||||||
|
217 |
4.0 |
Media Literacy |
|
9:35-10:45 |
MWF |
Leslie Blood |
|||||||||||
|
An examination of media influence over our interpretations
of popular images, celebrity, gender, sex and personal identity. |
|||||||||||||||||
|
|
|
|
|
|
|
|
|||||||||||
|
230
R |
4.0 |
Survey of British
Literature |
|
8:00-10:00 |
TR |
Delilah
Orr |
|||||||||||
|
This
course will survey British literature from its beginnings through the
twentieth century. We will attempt to
glean a sense of some of the people and passions that have animated the major movements and works in the history
of the literature. Some other themes
that will come up repeatedly include the Individual and Society, Nature,
Love, Gender Roles, Hardship, and Injustice.
We will immerse ourselves in the poetry, language, rhythms, and humor
that people have employed to express their deepest convictions, so we can
better learn to enjoy and appreciate the nuances of the English
language. We will also work on academic writing skills so that you
will leave this course more aware of your rhetorical and critical abilities,
and how to use them in the service of academic writing. |
|||||||||||||||||
|
|
|||||||||||||||||
|
240 |
4.0 |
Survey of American
Literature |
|
12:20-2:20 |
TR |
Jen
Gehrman |
|||||||||||
|
Bradstreet.
. . Franklin. . . Poe. . . Thoreau. . . Hawthorne. . . Mark Twain. . . Dickinson.
. . Hemingway. . . the kitchen sink. This course overviews American writing from
the Puritans to today. I will
emphasize major writers, but we will also look at important minor
figures. You will have quizzes and
tests. I expect attendance and good
preparation. |
|||||||||||||||||
|
|
|||||||||||||||||
|
250 |
1-6 |
Practicum-Newspaper |
|
12:20-2:20 |
M |
Leslie
Blood |
|||||||||||
|
This class gives an introduction to
working on the Independent—writing,
shooting photos, designing and laying out the paper, selling ads, and
editing. Because practicum is intended
to give credit for working on the newspaper, this class meets only once a
week for one hour, and students meet with their individual newspaper departments
for an additional hour. This course is
required before 350. You can earn 2-3
credits per term. Up to 6 credits may
count toward graduation. Override
needed: Instructor permission required to register. Engl 250 has
additional hours to be arranged. |
|||||||||||||||||
|
|
|||||||||||||||||
|
251 |
1-6 |
Practicum—Radio |
|
3:35-5:35 |
W |
Michele
Malach |
|||||||||||
|
With
this repeatable course, you can earn from 1-4 credits for learning as you
work at the student radio station, KDUR.
You will keep a log of the hours you work (30 hours per semester per
credit required), correlate the log with self-evaluation, and submit projects
at scheduled times. ENGL 251 requires
weekly class attendance and serial work in broadcasting, production, and
news. The course gives you an overview
of radio and emphasizes hands-on work.
Credit counts toward the English major. Override needed: Instructor permission required to register. |
|||||||||||||||||
|
NOTE: ENGL 251 has an extra fee of $50.00. |
|||||||||||||||||
|
|
|
|
|
|
|
|
|||||||||||
|
258 |
1-4 |
Practicum–Service Learning |
|
TBA |
|
Jen Gehrman |
|||||||||||
|
This
class may be taken for 1-4 credits.
Students must complete 30 hours of service in the community per
credit. Although the majority of work
in this class will be done in the community, students will also be expected
to keep a journal, read a variety of assigned materials, meet with the
instructor once per week to discuss what they are reading and experiencing in
their placements, and do a creative project at the end of the semester based
on their experiences. Service may be
done at a variety of community, non-profit organizations including the Los
Amigos Tutoring Program (TR 3:30 – 5:00), the Phoenix Program, Manna Soup
Kitchen, and many others. Override
needed: Instructor permission required to register. |
|||||||||||||||||
|
NOTE: ENGL 258 has additional hours to be
arranged. |
|||||||||||||||||
|
|
|
265 |
4.0 |
Semantics |
|
10:55-12:05 |
MWF |
Chris
Goold |
|
Semantics
explores the subtle and complex power of words in our lives – how we use (and
misuse) the symbolic system of language; how language, thought and behavior
are linked; how we shape (and are shaped by) the world around us through
language. We’ll look closely at how
language operates in such systems as politics and media; gender, race and
cultural relations; artistic expression and humor. Be prepared for lots of in-class writing & activities, group work, written
projects, & critical thinking about the use of language in our lives. 265 4.0 Semantics
8:15-9:25 MWF
Ken Wright In this class, we will examine many of the ways we use
language and symbols to communicate and understand our world, and we will
analyze the implications of the semantic choices we make, both individually
and culturally. |
|
|||||||||||
|
|
|
|
|
|
|
|
|
|||||
|
268 W |
4.0 |
Reading Texts/ Writing
Texts |
|
10:10-12:10 |
TR |
Jen
Gehrman |
|
|||||
|
268 W 268 W |
4.0 4.0 |
Reading Texts/ Writing
Texts Reading Texts/Writing
Texts |
|
8:15-9:25 10:55-12:05 |
MWF MWF |
Delilah
Orr Pam
Uschuk |
|
|||||
|
This
course will introduce theoretical schools of thought as they pertain to
literature, media studies, and film; provide a history of the discipline and
an understanding of the connections among our department’s varied fields of
inquiry (rhetoric, literature, communications/media studies, English
education, writing); solidify students’ research skills; and all in all,
equip students with the discursive tools and terminology needed to succeed in
upper-division English courses. The
course requires both formal and informal writing. |
|
|||||||||||
|
270 4.0 History of the Film
5:00-9:00 M Michele Malach This
course will be a brief introduction to the history of international,
narrative, feature film. |
|
|
|
10:55-12:05 |
MWF |
Nancy Cardona |
||||||
|
|
|
|
|
|
|
|
|
|||||
|
273 A1 |
10213
2.0 |
Intro Literary Types: Creative Writg – Poetry Class
meets: Jan. 7 – Feb. 22 |
|
2:30-4:30 |
TR |
Steve
Meyers |
|
|||||
|
This is an introductory creative
writing class that will explore poetry writing. Course content will include an introduction
to poetry writing technique and discussion of contemporary poetry. Class time will be divided among
discussion, writing exercises and group critique. NOTE:
To enroll in BOTH sections
of Engl 273, sign up on WebOPUS for one section, then go to Records to sign into
the other section. |
|
|||||||||||
|
|
|
|||||||||||
|
273 A1 |
2.0 |
Intro Literary Types: Creative Wrtg–Short-Fiction Class meets: Feb. 25 - Apr.
25. |
||||||||||