FLC Department of English
Expanded Course Descriptions
|
Course No. |
CRN#
Credits |
Course Description |
|
Time
|
Days
|
Instructor |
||
|
|
||||||||
|
116 A1 or T |
10111 4.0 |
Introduction
to Mass Communications |
|
8:15-9:25 |
MWF |
Chris Goold |
||
|
|
||||||||
|
116 A1 or T |
10112 4.0 |
Introduction
to Mass Communications |
|
10:55-12:05 |
MWF |
TBA |
||
|
This is an introductory survey of mass
communication and its many forms and effects in our lives. During the term we will examine, analyze,
think critically about, enjoy, and discuss the various mass media we participate
in every day: sound recordings, films, TV, books, newspapers, magazines,
radio, advertising, videogames, public relations and
the Internet. We will also look at
different aspects of mass communication history and issues, and we will work
together to develop media literacy skills that will help us all become more
knowledgeable media participants. Be
prepared for lots of in-class writing, quizzes and activities, group
work, written projects and critical thinking about the media we are immersed
in every day. |
||||||||
|
|
|
|
|
|
|
|
||
|
174 |
10945 4.0 |
African-American Literature |
|
10:55-12:05 |
MWF |
Nancy
Cardona |
||
|
This course examines the development and tradition
of African American literature beginning with oral traditions of the slave
spiritual. Over the course of the term,
we will explore how differing understandings of what constitutes African
American literature influence the various literary movements in the African
American canon. |
||||||||
|
|
||||||||
|
175
A1 or R |
10114 4.0 |
Women’s
Literature |
|
3:15-4:25 |
MWF |
MJ Moseley
|
||
|
We will read a broad
range of literatures from diverse Native American traditions and eras to
provide students with a basic knowledge of major issues in, and well-known
texts by, Native American women authors.
A Service Learning component will be required. |
||||||||
|
|
||||||||
|
176 R |
10115 4.0 |
Native
American Literature |
|
2:30-4:30 |
TR |
M.J. Moseley |
||
|
This
course presents a survey of Native American literature from first contact to
the present. The goals of the course
are to trace the evolution of the literature, to understand the variety of
genres in which Native authors create, to compare themes, genres and
techniques used by native writers with those used in oral literatures, and to
examine the connection between the literature and the history of Indian-white
relations during the period in which they were written. |
||||||||
|
|
||||||||
|
180 |
10116 4.0 |
Literature
of the Environment |
|
10:55-12:05 |
MWF |
Ken Wright |
||
|
This
course explores a variety of environmental texts focusing on the |
||||||||
|
|
|||||||
|
215 |
10117 4.0 |
News
Media Writing |
|
1:55-3:05 |
MWF |
Faron Scott |
|
|
215 |
10118 4.0 |
News Media Writing
|
|
3:15-4:25 |
MWF |
Faron Scott
|
|
|
This
course will introduce you to the skills of news reporting and writing. Through writing a series of news stories
during the semester, you will have the opportunity to learn news writing
style, interviewing skills, and news judgment. |
|||||||
|
217 |
11297 4.0 |
Media
Literacy |
|
1:55-3:05 |
MWF |
Leslie Blood |
|
|
Media literacy—the ability to critically consume and
create media—is an essential skill in today’s world. This course will help
students develop skills that will help them understand not only the surface
content of media messages but the deeper and often more important meanings
beneath and beyond the surface. |
|||||||
|
|
|||||||
|
230
A1 or R |
10119 4.0 |
Survey of
British Literature |
|
8:00-10:00 |
TR |
Delilah Orr |
|
|
In
this survey course, we will use the
Norton’s Anthology of British Literature.
This course is a quick introduction to major British writers from the
Medieval Period to the 20th Century. There will be three major tests and two writing
assignments: one analytical and one
creative. |
|||||||
|
240
A1 or R |
10120 4.0 |
Survey of
American Literature |
|
3:15-4:25 |
MWF |
Nancy Cardona |
|
|
This course will introduce students to major movements, themes, and
genres in American Literature.
Students will be expected to reflect critically upon how we, as
individuals and as a nation, choose to formulate our history and why this
formulation continues to change. We
will read short stories, poems, and plays by a wide variety of authors. Students will also be expected to read one
novel by an American author of their choice.
Course assignments will include one short critique, weekly electronic
journal entries, unannounced quizzes, a midterm and a final exam. |
|||||||
|
250 |
10121 1-6 |
Practicum-Newspaper |
|
3:35-5:35 |
M |
Shawn Fullmer |
|
|
This
class gives an introduction to working on the Independent—writing, shooting photos, designing and laying out
the paper, selling ads, and editing.
Because practicum is intended to give credit for working on the
newspaper, this class meets only once a week for one hour, and students meet
with their individual newspaper departments for an additional hour. This course is required before 350. You can earn 2-3 credits per term. Up to 6 credits may count toward
graduation. Prerequisite: Instructor
permission required to register. Engl
250 has additional hours to be arranged. |
|||||||
|
251 |
10122 1-4 |
Practicum—Radio |
|
3:35-4:30 |
W |
Michele Malach |
|
|
With
this repeatable course, you can earn from 1-4 credits for learning as you
work at the student radio station, KDUR.
You will keep a log of the hours you work (30 hours per semester per
credit required), correlate the log with self-evaluation, and submit projects
at scheduled times. ENGL 251 requires
weekly class attendance and serial work in broadcasting, production, and
news. The course gives you an overview
of radio and emphasizes hands-on work.
Credit counts toward the English major. Override needed: Instructor permission required to register. |
|||||||
|
NOTE: ENGL 251 has an extra fee of $50.00. |
|||||||
|
258/358 |
10950 1-4 |
Practicum–Service Learning |
|
TBA |
|
Jennifer
Gehrman |
|
|
This
class may be taken for 1-4 credits.
Students must complete 30 hours of service in the community per
credit. Although the majority of work
in this class will be done in the community, students will also be expected
to keep a journal, read a variety of assigned materials, meet with the
instructor once per week to discuss what they are reading and experiencing in
their placements, and do a creative project at the end of the semester based
on their experiences. Service may be
done at a variety of community, non-profit organizations, including the
Phoenix Program, Manna Soup Kitchen, and many others. Override needed: Instructor permission required to register. NOTE:
ENGL 258 has additional hours to be arranged. |
|||||||
|
|
||||||
|
265 A1 or S |
10123 4.0 |
Semantics |
|
10:10-12:10 |
TR |
Chris Goold |
|
Semantics explores the subtle and complex power of words
in our lives – how we use (and misuse) the symbolic system of language; how
language, thought and behavior are linked; how we shape (and are shaped by)
the world around us through language.
We’ll look closely at how language operates in such systems as
politics and media; gender, race and cultural relations; artistic expression
and humor. Be prepared for lots of in-class writing &
activities, group work, written projects, & critical thinking about the
use of language in our lives. |
||||||
|
|
||||||
|
267 A1 |
10124 4.0 |
Persuasive
Writing |
|
10:10-12:10 |
TR |
Shawn Fullmer |
|
From the ancient Greeks to contemporary
spin-doctors, rhetoric (the art of persuading or motivating an audience) has
been central to shaping intellectual, academic, political, and professional
domains. In this course, we will study
some of the major ideas and figures within rhetorical theory. Students should
expect to write reading-responses and an academic essay, and give a class
presentation. |
||||||
|
|
||||||
|
268 W |
10125 4.0 |
Reading
Texts/ Writing Texts |
|
2:30-4:30 |
TR |
Gordon Cheesewright |
|
English 268 introduces the wide-ranging topics and
methods of study in the English Department.
We’ll read, talk about, and write about films, short stories, novels,
poems, television, pop and high culture (and more). We’ll approach these texts from a variety
of perspectives, and we’ll watch how texts change before our eyes when we put
on different interpretive lenses that emphasize economics or race or
psychology or gender or history (and so on).
We’ll also look back at ourselves, at why we do what we do: the
beliefs, theories, logic, impulses, desires, and acts of faith that lie behind
and shape our discourse. We’ll always
emphasize the connections among real and imagined life and self and
texts. This course satisfies the CO
2 composition requirement. |
||||||
|
268 W |
10126 4.0 |
Reading
Texts/ Writing Texts |
|
1:55-3:05 |
MWF |
TBA |
|
This course is being taught by a new faculty
member. Course description may be
different than that mentioned about. |
||||||
|
|
||||||
|
270
A1 or R |
10127 4.0 |
History
of the Film & Screening |
|
5:00-9:00 |
M |
Michele Malach |
|
This course will be
a survey of film history, starting briefly in the late 19th and early 20th
centuries and moving on to the 1940s to the 2000s. We will examine how films
work and how they influence American culture, paying particular attention to
films that broke new ground, whether socially, technologically, or
culturally. |
||||||
|
|
||||||
|
273 A1 |
10128 2.0 |
Introduction to Literary Genres--Creative
Writing, Poetry Class
meets: Aug. 27 – Oct. 19 |
|
10:10-12:10 |
TR |
Steve Meyers |
|
This is an introductory creative writing class that
will explore poetry writing. Course
content will include an introduction to poetry writing technique and
discussion of contemporary poetry.
Class time will be divided among discussion, writing exercises and
group critique. NOTE: To enroll in BOTH sections of Engl 273, sign up on WebOPUS for
one section, then go to Records to sign into the other section. |
||||||
|
|
||||||
|
273 A1 |
10129 2.0 |
Introduction to Literary Genres--Creative Writing, Essay Class
meets: Oct. 22 – Dec. 14 |
|
10:10-12:10 |
TR |
Steve Meyers |
|
This is an introductory creative writing class that
will explore essay writing. Course
content will include an introduction to essay writing technique and
discussion of the contemporary short story.
Class time will be divided among discussion, writing exercises and
group critique. NOTE: To enroll in
BOTH sections of Engl 273, sign up on WebOPUS for one section, then go
to Records to sign into the other section. |
||||||
|
273 11298 Introduction to Literary Genres— 8:15-9:25 MWF TBA Creative Writing, Fiction NOTE: To
enroll in BOTH sections of Engl 273, sign up on WebOPUS for one section,
then go to Records to sign into the other section. |
||||||
|
273 11299
Introduction to Literary
Genres--
8:15-9:25 MWF TBA Creative Writing, Poetry |
||||||
|
|
||||||
|
280
A1 or R |
10130 4.0 |
Literature
of the Southwest |
|
8:15-9:25 |
MWF |
Delilah Orr |
|
This
course is a survey of contemporary Anglo, Mexican, & Native American
works. We will examine fiction,
poetry, non-fiction, and film. |
||||||
|
304 |
10131 4.0 |
Video
Production |
|
3:35-5:35 |
MW |
Kurt Lancaster |
|
In this digital filmmaking course, you will shoot two
shorts: a fiction and a non-fiction. Film exercises will help you to discover
sincerity in a shot, how pictures tell stories, how actions (not words) shape
the story, how style expresses individuality, and how blocking, composition,
and continuity will give you the tools that will enable you to seamlessly
weave all these elements into a cohesive story during editing. Override needed: Instructor permission
required to register. See Dawn in Noble
230 to be cleared for registration. |
||||||
NOTE: ENGL 304 has an extra fee of $100.00
|
||||||
|
308
11315 Interactive Media
Production 2:30-4:30 TR Kurt This course will explore and define
website storytelling and then attempt to innovatedly push the creative
boundaries of convergent media. Working in teams, you will produce a
cutting-edge interactive web-story integrating graphic and web design, text,
images (including slide shows), audio, and video. In addition, each student will develop a personal multimedia
project. Override needed: Instructor permission
required. Please see Dawn in Nobel 230
|
||||||
|
|
||||||
|
315 |
10132 4.0 |
Media
Writing: Reading the River |
|
9:35-10:45 |
MWF |
Shawn Fullmer |
|
Together
we will read about, float upon, and contribute to the protection of regional
rivers, including the This course is repeatable for credit provided the subject is different on each occasion. |
||||||
|
315 11300 Media
Writing: Magazine Feature Writing 10:55-12:05 MWF Chris Goold
This
class will focus on magazine feature writing with an emphasis on actually
submitting and, hopefully, selling a completed magazine article. We will write a variety of article types
throughout the term, such as profile, informative, personal experience and
dramatic narrative. In the process, we
will learn how to develop ideas, analyze and target magazine markets, write
and submit a query letter, research, carry out interviews, prepare and submit
a manuscript, understand copyright law, and handle other concerns of the
magazine writer. Be prepared for lots
of writing and participation in class. This
course is repeatable for credit provided
the subject is different on each occasion. |
||||||
|
317 |
4.0 |
Mass
Communication Topics: Graphic
Novels |
|
1:55-3:05 |
MWF |
Michele Malach |
|
Sequential
art and storytelling. Pictures and words. Stories and images. Form and
content. History, themes, authors, adaptations. |
||||||
|
345 10946 Am. Lit: American Romanticism 8:00-10:00
TR Larry
Different Drummers Hartsfield During the
mid-nineteenth century the first creative explosion in American literature
occurred-an era sometimes referred to as the American Renaissance. This is the period that created many of the
literary and cultural issues that still dominate our culture today. We’ll be covering these issues as well as
examining the beginnings of some of the characteristics that have made
American literature what it is. The
writers we will cover include Ralph Waldo Emerson, Henry David Thoreau,
Margaret Fuller, Edgar Allen Poe, Nathaniel Hawthorne, Herman Melville,
Louisa May Alcott, Frederick Douglass, and Walt Whitman. This
course is repeatable for credit provided the subject is different on each
occasion. |
||||||
|
350 |
10133 2-4 |
Practicum—Newspaper |
|
3:35-5:35 | ||